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Dennis Perkins

Dennis Perkins is a freelance writer who lives in Auburn with his lovely wife, the writer Emily L. Stephens, and their cat, Cooper. When not watching all the movies ever made or digging up stories about the Maine film scene, he can be found writing for the AV Club and elsewhere. The rest of the time, he's worrying about the Red Sox.

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Posted: January 12, 2015

Maine-made documentary ‘Growing Local’ makes fresh case for local food

Written by: Dennis Perkins
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The most insidious aspect of bad eating is how easy it is, and how our society makes it seem like virtue. Food is cheap – depending on how you define “food.” Mass-produced, artificially preserved, transported great distances from processing plants – the brightly packaged foods packing supermarket shelves are affordable and convenient, even if they’re the product of dubious ingredients and animal cruelty. Why would anyone eat something more expensive and harder to find?

That’s a question the makers of the Maine documentary “Growing Local” seek to answer, and director Bridget Besaw makes a compelling, refreshingly hopeful case that all of us should, indeed, be more mindful of what we eat, and of where it comes from – even if it costs us more.

The hourlong film (showing 7 p.m. Wednesday at SPACE Gallery), made up of three short documentaries (“Changing Hands,” “Pig Not Pork,” “Seeding A Dream”), allows its message to arrive through the example of several Mainers attempting to keep Maine’s farming tradition alive. It sounds dry, perhaps, but Besaw has a light touch, allowing her subjects’ passion for both their work and the reasons for doing it to emerge in decidedly human and reasonable fashion. (Plus, the film looks great – a key component when trying to convince an audience to eat the food in question.)

The repeated arguments in favor of local, small-farm food production are convincing in themselves, and well-known to anyone familiar with Portland Buy Local. Food grown by ethical small farmers is of higher quality, and animals are more likely to be treated humanely. Money spent at local businesses, on local goods, is much more beneficial to local economies than money sent away to major corporations. The carbon footprint of local farm goods is miniscule compared to food that must be shipped from thousands of miles away. But what makes “Growing Local” more than just a polemic about the evils of factory farming or a lecture about our careless eating habits is that the film and its subjects successfully make thoughtful, responsible eating seem like something sensible, healthy, attractive – and good for Maine.

An aging organic dairy farmer in Litchfield works alongside his adult son and daughter to transform the family farm while retaining its traditional values. An ethical butcher in Wales turns his shop into a hub for a number of local farmers to sell their products. (And he’s just opened up a second location in South Portland.) A young couple teams up with a pair of sympathetic old-time landowners to perform a similar function at their farm and general store in Whitefield. Each has a similar story of idealism, hard work, and dedication to tell, and while each story ends on a hopeful note, they all stress that the only way Maine farmers can survive is if we all choose to make local eating a priority.

Honestly, “Growing Local” makes it all look really good.

COMING TO LOCAL SCREENS:

FRONTIER, BRUNSWICK | www.explorefrontier.com
Thursday-Sunday: “Searching For Sugar Man.” If you haven’t already seen this crowd-pleasing documentary about long-thought-lost 1970s cult musician Sixto Rodriguez and his remarkable comeback story, then head up to Frontier for some dinner and music.

NICKELODEON CINEMA, PORTLAND | www.patriotcinemas.com
Friday: “A Most Violent Year.” Praise coming from all corners for this gritty indie about an immigrant family in 1981 New York – one of the most crime-ridden in that city’s history, which is really saying something – trying to chase the American dream while retaining their principles. Great cast includes Oscar Isaac, Jessica Chastain, Albert Brooks, and David Oyelowo.

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